Author Matthew Hammond

In A Little More Flesh, director Sam Ashurst pushes his metatextual technique to explore the behaviour and brutality of male abuse and rape culture through a twisted blend of critique and horror. Like his...

Jonathan is a lonely twenty-something stuck in a dead end job, spending most of his life away from work alone and working through self-help guides for inspiration. One night, he takes a leap and dials a...

Dezzy is a supremely talented painter confronting the most devastating affliction that can strike an artist: an artistic drought. Struggling to shake the block, she embarks on an odyssey of extremity on...

Escaping a top-secret military base, gutsy soldier Maria and a superhuman test subject TS-347 find themselves fleeing in a zombie apocalypse. Their high action world collides with that of Pedro, a regular guy...

Some films just strike the right note. Like a tuning fork, Fingers masterfully resonates and shifts the audience into it’s own bizarre reality with a deft balance of dark comedy and an...

An elegant, laconic modern noir where the mystery of a young girl’s disappearance is lost within the mystery of the teenage experience itself, Knives and Skin plays like an eerie fusion of Brick, Twin Peaks...

While a box office hit in North Africa, Dachra is a frustrating experience that fails to live up to the hype, suffering from a muddled atmosphere and a lack of complexity that strangles a film that at time...

As well as delivering the freshest cuts of new horror cinema, Frightfest has always served to celebrate cult cinema’s past, whether that be celebrating classics that have defined the genre or giving...

Matthew shows some love for the Statham sequel

It takes a lot to stand out as the most bonkers, brash and unique film at Frightfest…but this year, it’s going to be difficult to not give the WTF crown to Valeri Milev’s Bullets of Justice. Set in...

Since his breakout Almost Human, Joe Begos has been a force to admire in terms of genre thrills, independent spirit and a sheer passion for retro cult delights. His second feature, The Mind’s Eye was an...

The cinema of Abel Ferrara is caustic, caught in between the pervasive grime of the street and a religious fever that is all at once pure and faux, a nightmare that washes over you. While Bad Lieutenant is...

John Carpenter's take on the Stephen King novel gets the thumbs up

Movie Ramblings were lucky enough to sit down and chat with Chuck Steel: Night of the Trampires director Mike Mort about his sensational stop motion ode to the best of 80s action, horror and irreverence;...

Mary Shelley’s Frankenstein holds an almost untouchable place in the legacies of both literary history and pop culture iconography, with image of Karloff and his neck bolts firmly on the hypothetical horror...

Five years in the making, Chuck Steel: Night of the Trampires has been eagerly awaited by Frightfest audiences, and I can happily say that not only does it exceed the great hopes and anticipation for a...

British horror has a long and iconic relationship with religious and folk horror subgenre. From the seminal Unholy Trinity of Witchfinder General, Blood on Satan’s Claw and The Wicker Man, through to Ben...

Australian cinema through the decades, arguably forming within the explosion of exploitation and art in the 1970’s, has been a consistent cradle for the horror genre in a suitably wild spectrum of guises....

“I have less and less respect for them …I think they don’t even do what they do very well anymore.” – Maggie Renzi, The Story of Film This quote truly encapsulates the hard truth that the corpse...

With Guy Ritchie’s hyper-stylised bombastic take on the legend of King Arthur just days away from hitting cinemas, it seems almost preordained to return to a film of the past which almost appears as a...

The anthology film has enjoyed a resurgence in modern horror cinema, with the likes of ABCs of Death, Holidays and VHS channelling the classic portmanteau through a lens of decisively contemporary traumas and...